Motion Graphics Video Editor
For Brands With Taste
London, United Kingdom
Testimonials
Past Work
Capabilities
Agency-Standard Post-Production
Operating out of London, I specialize in broadcast-ready motion graphics and high-retention commercial editing.Built on a foundation of managing complex project files and extreme deadlines for audiences exceeding millions, my post-production pipeline is engineered for zero-friction agency integration.From the initial brief to the final render, I deliver technically flawless assets that scale your production value without throttling your timeline.
About Me
Hello! I'm a Motion Designer & Video Editor based in London, with 6+ years working on branded content, explainer videos and VFX for campaigns reaching millions of viewers.My focus is motion that serves the story; where pacing, typography
and visual rhythm aren't afterthoughts, they're the edit itself.I work primarily in DaVinci Resolve with it's powerful Fusion features, plus a full Adobe
workflow when the project calls for it. I love the process, especially the constant experimentation where is
how I stay sharp, there's always a new technique worth exploring,
new skills to learn.
Ready to scale your production value?
Let's discuss your next project.
BRIEF 1
The Brief
To architect a high-retention, 15-second social asset for a modern FinTech startup launch, designed specifically to capture Gen-Z demographics on mobile platforms.
The Challenge
The client required a live-action lifestyle aesthetic, but the application was still in development. No physical prototype existed, and the provided assets were strictly flat, static vector files.
The Solution
I engineered a complete post-production UI pipeline. Using Mocha AE, I executed a flawless planar track onto a placeholder screen within the live-action plate. Instead of simply pasting a static image, I reconstructed the application's interface inside After Effects, animating the micro-interactions (button clicks, balance counters, and screen transitions) to simulate authentic user engagement. The final composite was color-matched with synthetic screen glare to ensure zero-friction integration into the physical environment.
BRIEF 2
The Brief
To engineer a kinetic, momentum-driven teaser for a premium urban streetwear drop, requiring seamless integration of brand messaging directly into the physical environment.
The Challenge
The provided live-action plates were shot run-and-gun with unstable, handheld camera movement. The kinetic typography needed to feel physically anchored to the street without breaking the illusion of the live-action space.
The Solution
I deployed an advanced 3D Camera Tracking workflow within After Effects to reverse-engineer the physical camera movement and lock the typography to the concrete geometry of the scene. To achieve perfect depth integration, I executed precise rotoscoping on the talent, allowing them to pass organically in front of the extruded text. The text animations were driven by aggressive, exponential easing in the graph editor, synced perfectly to high-impact sound design.
BRIEF 3
The Brief
To elevate a static product photograph into a premium, cinematic motion asset suitable for high-end commercial ad placements.
The Challenge
Zero video footage was supplied. The client required dynamic, broadcast-ready motion utilizing only a single high-resolution still image.
The Solution
I decided to make a 2.5D parallax projection scene.
I first separated all the individual layers in Photoshop(Watch face, hands, bezel, etc) and filled in the missing details with Generative AI FIll.Then I put these layers in a 3D space so they can be pulled apart to create the illusion of the watch being pulled apart across Z-space, followed by the camera slowly moving back as it separates for extra depth.For the lighting scenes I created a darker version of the watch in Photoshop, and used the relight and depth map node to make the light landing on the watch more realistic.
BRIEF 4
The Brief
To transform complex corporate scaling metrics into an engaging, high-retention visual sequence for a critical B2B investor presentation.
The Challenge
Dry financial and infrastructure data inherently causes viewer drop-off. The metrics needed to be easily digestible in under 15 seconds without sacrificing the premium, authoritative tone of the brand.
The Solution
I designed a dynamic vector visualization system utilizing custom shape layers and trim paths. By tying expression-based number counters directly to the Y-position data of the rising graph lines, the statistics animated procedurally, creating a seamless connection between the math and the motion. The entire sequence was built utilizing a muted, dark-mode technical color palette, ensuring the final deliverable felt like a high-end tech broadcast rather than a standard corporate slide deck.
THANK YOU!
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